課程資訊
課程名稱
 表導演專題：場景研究
Acting/Directing Topic: Scene Study 
開課學期
 108-2 
授課對象
 文學院  戲劇學系  
授課教師
 呂柏伸 
課號
 Thea5626 
課程識別碼
 129 U3390 
班次
  
學分
 3.0 
全/半年
 半年 
必/選修
 選修 
上課時間
 星期一7,8,9(14:20~17:20) 
上課地點
 總一館118 
備註
 初選不開放。本課程中文授課,使用英文教科書。第一次上課甄選，方式請見大綱之課程要求欄。
限本系所學生(含輔系、雙修生) 且 限學士班二年級以上
總人數上限：20人 
  
課程簡介影片
 
核心能力關聯
 本課程尚未建立核心能力關連
課程大綱
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課程概述

This course offers student a way to practice, to refine, strengthen, and stretch their acting craft set to create a truthful performance. Students are paired and work with each other, with the teacher acting as director to give constructive feedback that helps students explore and examine the possibilities of the scene. The focus of the class is on detailed text analysis, character building, collaboration and exploration with a scene partner. Students are expected to create characters, connect to the emotions of the part, and fight for what they need and put them into a performance. 

課程目標
 1. Students will learn advanced rehearsal skills and be able to identify the core action and spine of a scene, and translate this into their character work and rehearsal process.
2. Students will also learn to explore different writers, styles and genres of scripts and get to practice creating different characters.
3. Students will learn how to break down a script into playable actions, as well as develops their dexterity to approach different characters truthfully.
4. This course also helps students realize the collaborative process between actors and directors. It will help students perform their roles with a keen awareness of the intent of the director. 
課程要求
 ※ 先修課程：「表導演專題─寫實戲劇」或「表演二」或「導演一」或「身心合一」
※ 修習本課程鼓勵你去爭取1082導演二的期末演出機會，用實際排練和演出來磨練你的表演技藝，可用導二演出的角色功課來做為最後兩個呈現的成績。
※ 修習本課程需經過甄選，甄選方式為兩人一組的現場指定場景的呈現。
※ 修習本課程需於2/10前，將你最想挑戰的兩段兩人場景的劇本寄給柏伸老師poshenlu@hotmail.com，並附上你的姓名和年級。
※ 修習本課程需花不少課外時間自行排練。

甄選方式：

一、無須事前準備，但有先修條件，須修畢以下課程任何一門—表導演專題–寫實戲劇、表演二、身心合一、導演一。
二、但需於2/10前，將你最想挑戰的兩段兩人場景的劇本寄給柏伸老師poshenlu@hotmail.com，並附上你的姓名和年級。



 
預期每週課後學習時數
  
Office Hours
  
指定閱讀
 (1) Gillett, John. (2007) Acting on Impulse: Reclaiming the Stanislavski Approach, London: Methuen.
(2) Merlin, Bella. (2010) Acting: The Basics, London and New York: Routledge.
(3) Stanislavski, Konstantin. (2008) An Actor’s Work, trans and edited by Jean Benedetti, London and New York: Routledge. 
參考書目
 (1) Boleslavsky, Richarad. (2010) Acting: The First Six Lessons: Documents from the American Laboratory Theatre, London and New York: Routledge.
(2) Panet, Brigid. (2009) Essential Acting: a practical handbook for actors, teachers and directors, London and New York: Routledge.  
評量方式
(僅供參考)
  
No.
項目
百分比
說明
1. 
 場景呈現 
80% 
 整學期將有4次的場景呈現作業，每項作業為20% 
2. 
 上課參與度 
20% 
 給同儕演員的feedback 
 
課程進度
週次
日期
單元主題
第1週
 3/02  甄選 Audition 
第2週
 3/09  課程說明/ Meeting the play: The Five ‘Wh’ Questions/ French Scenes, events and Units/Given circumstances 
第3週
 3/16  Meeting the character: Analysing the action 
第4週
 3/23  Scene Study (1): Chekhov’s Uncle Vanya 
第5週
 3/30  Scene Study (1): Chekhov’s Uncle Vanya 
第6週
 4/06  1st Presentation Chekhov’s Uncle Vanya 
第7週
 4/13  Exploring Character (1): Discovering the Action  
第8週
 4/20  Exploring Character (2): Creating the physical life of the role 
第9週
 4/27  Scene Study (2): 賴聲川 《暗戀桃花源》 
第10週
 5/04  Scene Study (2): 賴聲川 《暗戀桃花源》 
第11週
 5/11  2nd Presentation  
第12週
 5/04  Scene Study (3): Directing II's play 
第13週
 5/18  Scene Study (3): Directing II's play  
第14週
 5/25  3rd Presentation  
第15週
 6/01  Scene Study (4): Your Own Chosen Scene (From a Taiwanese play) 
第16週
 6/08  Scene Study (4): Your Own Chosen Scene (From a Taiwanese play) 
第17週
 6/15  4th Presentation  
第18週
 6/22  Final Evaluation Review